Fujisaki / 藤崎
/ ++ edition
Bishin Jumonji
(十文字美信) moriyama from the tame to the

from the tame to the wild became the underlying idea from which these works emerged

The entrance might disappear while I am dillydallying

Antoine d’Agata kept shooting without ever looking at the images thus generated

箱サイズ :   14

at nightclubs-where they most disarmingly reveal their features and personalities

Fujisaki / 藤崎<br>/ ++ edition<br>Bishin Jumonji<br>(十文字美信) moriyama from the tame to theI took the photographs in this book Fujisaki" during the period from the late 1960s to the early 1970s, when I had not yet become a professional photographer. This was practically my first work. Back then, I had no idea which direction to head for the future. Nevertheless, I was somewhat big headed and full of baseless confidence. I did not know where my self confidence came from but, honestly, I just wanted to do something different from what others